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Malik at his sampler in the garage studio at night, a CRT glowing beside him

A

Beats with the hiss left in.

Malik · West End, Atlanta · beats from $35 · studio $60/hr

Ghost
Tapes

Beats for lease, the studio by the hour, and a producer who still runs every beat through a cassette deck once before it goes out.

Press a pad, or keys 1–4, Q–R, A–F, Z–V

Peach Static88 BPM · F min · soul chop, dusty drums

Lease it
  • 312beats leased this year
  • 41artists in the room
  • $60an hour, engineer included
  • 1ghost pass on every beat

▶ The store

Lease it tonight. Own it outright.

Every beat comes with a tagged preview. Pick the license, pay, and the files land in your inbox in a minute. Exclusives come down from the store the same day.

  1. Peach StaticNewsoul chop, dusty drums

    88 BPMF min

    From $35
  2. MagnoliaR&B, warm keys

    90 BPMB♭ maj

    From $35
  3. Bankhead 2amtrap, long 808s

    140 BPMC♯ min

    From $35
  4. Box Fanboom bap, summer

    96 BPMC maj

    Sold exclusive

  5. Sunday TapeNewgospel chop, organ

    84 BPME♭ maj

    From $35
  6. TrackingVHS sample, warble

    86 BPMG maj

    From $35
  7. Chrome Hissdrill, sliding 808

    150 BPMG min

    From $35
  8. Crate 9jazz chop, upright bass

    93 BPMD maj

    From $35

186 more beats in the full store · new ones every Friday

  • Type IC-30

    MP3 lease

    $35

    For the demo, the mixtape, the first single.

    • Untagged MP3
    • 5,000 streams
    • One music video
    • Credit: prod. Ghost Tapes
  • Type IIC-46

    WAV lease

    $60

    The one most people buy.

    • WAV and MP3
    • 50,000 streams
    • Two music videos
    • Live shows, no limit
  • Type IVC-60

    Trackouts

    $120

    Stems for your engineer to mix it right.

    • Every track as a WAV
    • 250,000 streams
    • Unlimited videos
    • Radio play
  • Type XC-90

    Unlimited

    $250

    No caps, still shared with others.

    • Stems and WAV
    • Unlimited streams and sales
    • Sync on request
    • Upgrade credit toward exclusive
  • Type XLC-120

    Exclusive

    from $1,200

    Yours only. It comes down from the store.

    • Stems, WAV, project notes
    • Full rights, one contract
    • Off the store the same day
    • Leases already sold stay valid
The garage studio in West End: a couch, the desk with two monitors, a sampler and keys, warm bulbs
Headphones on a microphone stand in the vocal booth

▶ The studio

The Garage, West End.

A two-car garage Malik soundproofed himself in 2021: a vocal booth that fits one, a couch that fits four, and the sampler, the keys and the tape deck every beat on this site went through. Malik engineers every session unless you bring your own.

  • $60an hour, 2 hours minimum
  • $275a 5-hour lockout, the room is yours
  • $400make a beat from scratch, in the room
  • $150mix and master, one song

In the room A 16-pad sampler from 1998 · electric piano · a large-diaphragm condenser in the booth · two pairs of monitors · a cassette deck for the ghost pass (+$25 on any mix) · free coffee

Book a session

▶ Credits

On the shelf.

Songs with a Ghost Tapes beat under them. Every one started as a lease or a session in the Garage.

  1. 2025 Peach StaticTre Monroe Produced
  2. 2025 Magnolia StreetNia Delacroix Produced, mixed
  3. 2024 Box Fan SummerKid Cardigan Produced
  4. 2024 WestviewAmari Vance Co-produced
  5. 2023 Bankhead 2amJ. Rivers Produced
  6. 2023 Cutlass SeasonSouthside Lou Produced
  7. 2022 RerunTasia Bloom Produced, in an indie film
  8. 2022 Sunday TapeDeacon Pryor Produced
Malik Odom on the studio couch holding up a cassette
Malik, the Garage, fall 2026

▶ Who

Why they’re called ghost tapes.

My uncle Dre kept a shoebox of cassettes and a stack of VHS tapes he’d taped off TV. When I was eleven I started recording radio mixes over them. Whenever the new song got quiet, you could still hear the old one underneath, faint, like somebody in the next room.

He called them ghost tapes. He wasn’t mad. He said that was the best part.

I made my first beats at fifteen in my grandmother’s house in College Park, on a sampler with sixteen pads I bought from a pawn shop for ninety dollars, chopping her soul records and sitcom theme songs off old tapes. I sold my first beat online in 2016 for twenty dollars to a rapper in Decatur. I fixed VCRs at a repair shop for six years, and in 2021 I turned my garage in West End into the studio.

Every beat still goes through a cassette deck once before it goes in the store. I call it the ghost pass. You can’t always hear it. You can always feel it.

Malik

▶ Tapes from the room

Rewind.

  • Nia hearing the hook back

    Nia hearing the hook back

  • Third take, the one we kept

    Third take, the one we kept

  • Chopping Sunday Tape

    Chopping Sunday Tape

  • The shelf, about 900 tapes

    The shelf, about 900 tapes

  • The ghost pass

    The ghost pass

  • Driving home down the connector

    Driving home down the connector

  • Saturday crate dig

    Saturday crate dig

  • A tape that didn’t make it

    A tape that didn’t make it

▶ From the couch

What artists say.

  • “Booked two hours, stayed six, left with the song that got me on the radio.”

    Tre M.9 sessions
  • “Malik hears the hook before you do. He will stop you mid-take and he is always right.”

    Nia D.14 sessions
  • “Leased Box Fan for sixty dollars, it did 400k. Bought the exclusive after. Easiest money I spent.”

    Kid CardiganWAV lease, then exclusive
  • “The booth is cold, the couch is warm and the coffee is free.”

    Amari V.6 sessions

▶ Where

West End, Atlanta.

Ten minutes from downtown, off the BeltLine’s west side. Two cars fit in the driveway; the street is easy after six. The address comes with your booking.

© OpenStreetMap contributors
The Garage · West End, Atlanta Address sent when your session is booked Open the map

▶ Questions

Before you press record.

What is the difference between a lease and an exclusive?

A lease lets you release a song on the beat while others can lease it too, up to the stream count on your license. An exclusive is yours alone: the beat comes down from the store that day, and anyone who leased it before keeps their license.

Can I hear a beat before I buy it?

Every beat in the store has a tagged preview. Press its pad up top or its play button in the store. What you buy has no tag.

How does the studio rate work?

Sixty dollars an hour, two hours minimum, with Malik engineering. The deposit holds your time and comes off the total. You leave with the session files and a rough mix the same night.

Can I bring my own engineer?

Yes, same rate. Malik sets the room up, then gets out of the way unless you want him.

How many people can come?

Four in the room with you. The couch is good, the booth fits one.

What if I need to move my session?

Move it up to 24 hours ahead and the deposit moves with you. Inside 24 hours the deposit stays, unless it is an emergency, and Malik has never said no to an emergency.

Do you make custom beats for remote artists?

Yes. Book "Make a beat from scratch" and choose video call in the notes. You watch it built and leave with the stems.

▶ Book

Book the Garage.

Sessions start at noon and run late. Pick a day and a start time, put down the deposit, and Malik texts you within the day to ask what you’re working on.

B

Bring your lyrics. Coffee’s on me.

The deposit comes off the total

  1. 1Service
  2. 2Day and time
  3. 3Details
Book a session
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